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Review

Fundamentally Warhammer Quest is a classic turn based strategy game. You take your band of heroes into a dungeon to kill it’s inhabitants and steal their stuff. Visiting one of Warhammer Quest’s villages will reveal at least one quest for your team to take part in when you return to the world map. To move things along the story is told through a series of text boxes. They’re well written but it can make quests feel a little dry when the big conclusion is a box of text you get to read.

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Dungeons are randomly generated but they’re nothing special. There are clear blocks that form simple shapes that fit together nicely. No matter what the quest is or what’s happening in the ‘story’ the gameplay never deviates from its path. Walk through the dungeon to reveal the area and kill everything in sight. There’s absolutely no variation in objectives other than the distinctly missable text boxes.

Unfortunately this is where the fact that Warhammer Quest was originally from iOS starts to become a problem. Sure when you play a mobile game you want 10-15 minutes of uncomplicated fun. A complex story would probably just ruin the pace. But it doesn’t translate to the ‘big screen’. On a mobile you would expect to play for only a short time and keep returning for a similar burst of game time. You expect to be able to sit and play a full PC game for at least 30 minutes to an hour. Warhammer Quest makes it very difficult to stay interested for that length of time given that not a lot changes.

Finding loot is one of the only ways I felt the need to return to Warhammer Quest. Whichever of the four characters you choose to play with will have loads of options for equipment and loot drops are frequent enough that it’s never long before you find yourself reequipping a character. But the loot isn’t particularly imaginative. More often the not it’s a simple case of replacing items for superior ones rather than any complicated compromises or choices.

The combat is another casualty of Warhammer Quest’s mobile origins. There is nothing more to do than move near an enemy and click on them to attack it. If you have a character capable of ranged attack they obviously will have more choice but it still basically comes down to tapping a creature and seeing if you killed it or not. The only sense of strategy involved is making sure everyone in the team gets an attack which is really a case of making sure you move characters with common sense rather than any strategy.

Yet again this gameplay would work if I were tapping away on a mobile screen but on my PC with a mouse and keyboard it’s just too simple. Click to move, reveal map, click to move, attack enemy. That’s really it. There are a few abilities and spells to concern yourself with but that’s basically just one more click. There’s no cover or defence to concern yourself with. There’s no overwatch or strategic positioning to think about. You move and hit the enemy and hopefully it dies first. The miss rate is unbelievable and more often than not you’ll spend your time swinging and missing; until you finally hit something and kill it.

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Warhammer Quest’s worst sin however has to be the visuals. They haven’t been altered from the mobile version at all. And it shows. At best there is a slight blurring around everything that makes it look like you’ve zoomed in on a low resolution video. At best you have huge patches of unused black space around the edges. Top down strategy games usually don’t focus on high fidelity but Warhammer Quest literally hasn’t been improved from the mobile version to the PC.

One of the most glaring occurrences of this is when you visit a town and a pop-up book opens showing a rough 3D map of the place. It’s a nice way to represent it without rendering an entire town pointlessly but viewing on the PC just makes it look stretched. Which is exactly what it is. It’s pixelated, blurry and just horrible to look at.

But just when you think it can’t get any worse there’s just one more thing that Warhammer Quest has brought with it from the mobile platform – premium currency. I’m not actually so offended by premium currency as a concept these days and some of my favourite games have been free-to-play with currency. But to pay for a game as badly ported as this and then find a premium currency system is just an insult.

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Unfortunately there’s nothing complicated to Warhammer Quest. You play for 20 minutes and probably get bored and turn it off. Which really is to the games credit considering it’s a mobile game. But to port a game successfully from iOS to PC there needs to be at least some changes. Increasing the resolution on videos rather than just stretching them is one. The same goes for the environments too, stretching low resolution assets is never a good move.

Visuals aside there just isn’t enough complexity in Warhammer Quest to compete with other turn based strategy titles on the PC. That same complexity that would be undesirable in a mobile game is so important to a PC game. Space Hulk offers more strategy in a Warhammer setting and if you’re just looking for turn based strategy there are loads of better games on Steam for this price; and almost all of them don’t have premium currency. If you want Warhammer Quest get it for iOS where it belongs, as a PC game it’s just not worth playing.

If you play a lot of games you might be on the lookout for a decent gaming chair – we got to test out the Xenta Pedastal Gaming Chair and here is our review.

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This is how the chair is described:

“A gaming chair needs to be comfortable, include all the audio features you need and if it just so happens to make you look like a Bond villain in the process, so much the better. The Pedestal Gaming Chair from Xenta provides all of these things and more.
The sleek and imposing no-nonsense design lends the chair an air of authority. If you didn’t already know about the built-in speaker system, you might assume it belonged in the office of a high-ranking executive. Lower yourself into it and prepare to feel both relaxed and fully supported through the combination of ergonomic design, adjustable headrest and curved armrests.
No matter how you swivel it, the chair is only a chair until you give it power. Plug it in and prepare to experience your favourite movies and games like never before. The audio is piped in directly over your shoulders to make you feel a part of the action like never before.
The chair itself if fully adjustable and comes with a number of levers and switches that allow you to adjust the seat to your exact specifications. A handy control panel is also included in the seat unit so you can adjust the volume and bass levels while barely moving a muscle.”

Key Features

•    Compatible with all games consoles, media players and video devices
•    Built-in 2.1 speaker system
•    Ergonomic design for the hardcore gaming comfort
•    Connect up multiple chairs for multiplayer mayhem
•    Fully adjustable

Putting the Chair Together

The chair comes very well packaged and only has a few parts to fit (and comes with everything you need to put it together).

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The seat part is actually folded together.

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The base is heavy and sturdy, so place it on the floor or another stable surface.

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Drop the stand into the base unit.

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Fit the lever mechanism to the base of the chair.

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Then fit the arms to the side – this can be a little fiddly so be patient.

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After you have then slotted the chair into the base just add the final piece which is the headrest and they you are pretty much ready to go!

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A Closer Look

This is what the chair looks like when it is put together.

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On the side of the chair is a control panel that has the power connector, a headphone socket, an input for connecting either a games console, a tv, dvd, blu-ray player or other receiver, or a handheld device such as an iPod, iPad or mp3 player. There is also a Multi Player connector for connecting up to a second Xenta gaming chair. There is also the on/off power button and both volume and bass buttons.

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Final Thoughts

If you are a serious gamer then you want a serious gaming chair, and the Xenta Pedastal Gaming Chair is just that! It looks like a luxury leather business chair and is rather comfortable for sitting back in for extending gaming sessions. The arm rests are in a good position too!

As we mentioned, the chair comes very well packed and everything you need to put the chair together is included in the box. It took us about 30 minutes to put it all together properly as fitting the arms proved a little fiddly. Once put together though the chair is very stable. You can adjust the chair as needed to you particular requirements – I personally found that I didn’t really need the headrest so I just took it back off – it was only held on with velcro so it wasn’t a big deal to do it.

Connecting the power to the chair was easy – just make sure you give yourself enough room as you don’t want to start swivelling in the chair and pull out the power in the middle of a hectic battle!

Connecting up a console, or other device was also very simple with it just being a case of connecting up the right cables to the input on the chair, and in the case of the PS3 making a settings change, but don’t worry the documentation tells you everything you need to know about the settings change and also about connecting up various devices.

Once all that was done and the game was running I found the sound to be very good – the speakers are either side of the top of the chair so you get a good listening experience. You can easily adjust both the volume and the bass by reaching down with your hand (you don’t even have to get out of the seat if you don’t want to). It also works well with headphones for those late night gaming sessions were you need to keep the noise levels to a minimum.

There is also the option to connect to another chair for multi player fun, however as we only had one chair we couldn’t test that out.

All in all we really liked the chair, it was easy to put together, was comfortable and produced a good sound.

The Xenta Pedastal Gaming Chair is available for for £149.99 from Ebuyer.

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Learn more from the Xanta website.

One gadget we all need around the house is a vacuum cleaner, and Vax recently introduced their new Air Cordless – and here is our review.

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Building on their iconic Air range of lightweight upright vacuums, Vax has created a full-size machine that’s powerful enough to clean your whole home for 50 minutes2 without having to find a plug socket. By changing just one simple thing – replacing the cord with their extended runtime LithiumLife battery – they’ve changed everything about the way you clean. The Air Cordless gives you the freedom to vacuum without limits, obstacles or boundaries.

Specifications

  • Lightweight – 4.6kg
  • No loss of suction – cyclone technology
  • Two extended runtime LithiumLife batteries – 50 minutes
  • Exclusive WindTunnel3 technology
  • Air Motion technology – swivel and twist around furniture and objects
  • Large-capacity, bottom release dirt bin – 1.05 litres
  • Multi-floor cleaning
  • Removable cleaning wand
  • Battery level indicator
  • 6 year guarantee

What’s in the Box?

The box contains the Air Cordless, along with the battery charger, 2 batteries, instructions and various tools.

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A Closer Look

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Cleaning the Air Cordless

There are two elements that can be easily removed and cleaned on the Air Cordless.

The first is the filter in the dirt container. You just lift off the dirt container and twist off the top to gain access to the filter. You can then remove it and wash it under some water and then re-fit it.

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You can also easily remove the brushbar and clean it. Certainly I had to do that a couple of times when things got wrapped around it, but it was a very simple and quick process.

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Final Thoughts

Now I will be honest, I am not a fan of cleaning and hoovering, but then how many of us actually are? One thing I really find a pain is having to keep finding plug sockets to plug in the cleaner, then lifting up cables and then doing that strange dance around the room trying to not go over the cables and then having to find another power socket and doing it all over again. So when I heard that the Air Cordless was well cordless I wanted to see how much of a difference it would make to me, and believe me it made a huge difference.

The battery lasts for about 50 minutes of use, so for most people that will be enough to clean everything. One really good thing is that Vax included a second battery so that can be left charging whilst you are using the Air Cordless and if you do run out of battery power you just swap over the batteries and carry on. The downside is that you have no excuse for stopping as you will always have power!

Cleaning the Air Cordless was a breeze, and described earlier, and emptying out the container just involved the press of a button.

Using the Air Cordless was also very simple indeed – it moves fairly effortlessly across both carpet and flooring (you can select to switch the brushbar on or off depending on the surface you are cleaning). It also works fantastically on corners and on stairs. The extension tube is very easy to use and has quite a reach to it!

The Vax Air Cordless is available now for £299.99 and frankly it’s worth every penny, unfortunately I have no excuse anymore not to do the cleaner – so thanks Vax!

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Learn more from the Vax website.

The original Little big planet was nothing short of amazing. The mechanics where,  even at the time, rather outdated and giving them a quick polish worked amazingly well. It’s pure innocent charms and Steven Fry’s commentary are impossible to resist. But really how complicated can a platformer be? Sure the graphics are nice and the platforming is huge fun but ultimately that’s not enough. And there lies Little Big Planet’s key to success.

As with so many successful modern games opening design and creation to the community can be a huge advantage. You can all but guarantee that eventually someone will make something amazing or use tools in a totally unique way that nobody ever thought of. There’s something very satisfying about playing each level knowing you could make everything in it, with enough talent.

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So Little Big Planet was something new and Little Big Planet 2 added a huge amount of features to expand the creative side of the game and therefore what was possible in a level. For Little Big Planet 3 Media Molecule had a seemingly simple, albeit brilliant, idea. More characters. Given what was possible in the previous two games with one character imagine what you could do with 4. In essence the single player campaign is an extended tutorial, now more than ever given the amount of new stuff to be explained. But it’s a decent adventure with the usual pantomime villains and silly jokes. As usual it’s impossible to resist Little Big Planet’s charms for all of its 6 or so hours offline.

The plot is simple, Sackperson has been captured and 3 new characters are tasked with rescuing him. There’s Odd Sock who’s a sort of dog like Sackperson who can repeatedly back jump off walls to make his way between two objects. When playing as Odd Sock there’s a definite flow to the game with levels tending to be fast paced and almost Sonic like at times. The speed and momentum is similar to the standard platforming with that slight weightlessness that makes the platforming so satisfying, but with some extra jumping abilities levels feel surprisingly refreshed.

Toggle is probably my favourite character to play as and also adds the most new function to the game. Toggle can either become very small so that he has very little mass or become large and have a very high mass. It’s another case of a simple mechanic that can give birth to complicated gameplay. One example is launching yourself out of water by first becoming heavy and sinking then switching back to being light and rising to the top violently to spring yourself up and scale an obstacle.

Swoop is basically a bird and as such can fly – a bit. Swoop is a little less interesting to play and can basically glide and fly about as well as flappy bird. As Swoop you can also pick certain objects up and move them around as a sort of plug and socket puzzle. There isn’t the same pace and momentum that I like so much about the gameplay of Little Big Planet and swoop just doesn’t capture me like the other characters. But still it’s yet another way to play and another option for level creation.

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The compulsory tutorial that you always have to complete before getting stuck into level creation has thankfully been drastically overhauled. Previously they have became stale long before the end. Even Stephen Fry’s narration wasn’t enough to keep the boredom away. With as many complex features as Little Big Planet now has an in depth tutorial is inevitable but luckily LBP 3 makes it slightly more interesting than before. Instead of pop-ups full of information and the odd video the tutorials now play as simple puzzle solving levels.

In one series you will need to create, delete and reshape items to get through the level. In another you will use string and elastic at different lengths and strengths to move objects or create swinging grab able items to Tarzan over a gap. Slowly but surely you make your way through all that LBP has to offer. Making the tutorial a series of mini challenges rather than just being told what to do you not only gives you a greater understanding of how to use the tools but helps prevent boredom too.

And once you’re done you can create and upload levels as much as you want. They can be simple or complex, long or short but they’re fun to create and LBP still invites you to get stuck in and just play around. Creating with a friend is especially fun and can even be quite productive. But I’m not a creative kind of person so playing other people’s levels is the main attraction for me. Luckily all the levels from both previous games are playable in LBP 3 which means there is an absolutely colossal archive of levels ready to be played already. There are some really amazing levels to be played from the previous games so it’s nice to have them all in one place.

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Following tradition everything still looks great but nothing is allowed to look slick. Everything has that tacked together feel that makes LBP look so distinctive. But that doesn’t mean the visuals haven’t been improved. The fuzz from Sackperson’s material in particular looks amazing. It catches the light just as you would expect and really makes you want to reach out and scratch the hessian.

All the usual charm and character is still the basis for LBP. In fact it forms the foundations for everything else to be built on. The first game was a great base and the second one expanded on that in a way that seemed very complete. But Media Molecule have managed it by adding new characters with new abilities that can drastically change how a level is played, or created. Even without substantial new tools just having a couple of key new mechanics has yet again expanded on Little Big Planet’s already impressive world. Even if you’ve been here before and played the previous games extensively LBP 3 is well worth visiting.

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If you are interested in a retro radio then here is our review of the Steepleton Heartbeat 60’s Retro Radio.

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When you were young, everything was so much better. You lived in a much better world, with much better people and even better music! Get back to the days when music was gold with this amazing Heartbeat 1960s Retro Style Portable Radio!

Features

  • 1960’s Style AC-DC Radio
  • MW/LW/FM Radio
  • Leather finish case
  • Big analogue dial scale – key station markings
  • Rotary ON/OFF, Volume and turning knob

Dimensions: 16.5 x 14.5 x 10cm

A Closer Look

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Final Thoughts

The radio comes in three different colours – pink, black and the one we had for review, Orange.

The radio is quite small and is very light so carrying it around won’t be a problem, although you are most likely to use it in a kitchen or bedroom.

It is powered by either the included power adaptor or by batteries.

It has a telescopic aerial for FM radio, with internal aerials for both MW and LW. I found even inside the house I got very good clear reception.

The sound quality is very good, and there is a headphone socket on the side as well for those times when you don’t want to disturb anyone else.

The power and volume is controlled by a dial on the front and there is also a tuning dial, just like old fashioned radios! Tuning in was simple, and gave me a very nostalgic feeling! Yes kids, we used to have to tune things in using dials!

Overall this a great piece of retro kit and would look good in any room.

Available for only £34.95 from www.prezzybox.com

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There’s something oh so addictive about any game like Elite. It’s difficult to explain why but for some reason I just can’t stay away. Just one more trip, just one more delivery, just one more bounty. At the peek of this addiction you will hardly care that you’ve now been doing the same thing for countless hours. Every time I had to request landing permission with a few satisfying button presses on my keyboard I felt totally immersed. The spectacular mundanity of it all is invitingly engrossing. Just going about you’re daily space life delivering space cargo is cool, and Elite is cool enough to understate things and just let it be cool.

There isn’t an attempt to push you along your way or suggest that you complete certain objectives to gain xp. It doesn’t suggest what modules to equip on your ship or even which ship to use. There’s plenty of room for error in Elite: Dangerous which allows for a true sandbox experience. Luckily there’s plenty of support available online in forums or on YouTube to help you on your travels which is more than enough to get started.

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To say that Elite is a grind is an unbelievable understatement. You start off in a Sidewinder which doesn’t really have enough cargo space to do any decent trading and certainly doesn’t have enough potential firepower to realistically fend off anything other than Sidewinders. But slowly but surely you make 100 credits a run. Then a few hundred. Then you break 1,000. You make a few 10s of thousands and you can treat yourself to a new ship and start again trading larger amounts. Somehow despite the unbelievable amount of grinding required and the occasional feeling of despair that can cause I still kept going back and steadily worked my way through the ranks as a trader.

At times Elite can feel exactly like what it so often is. An unending and slightly dull grind to the finish, which is really a self set goal anyway. I know it’s a sandbox and most of the fun is usually from self motivation but there are times were a little bit of direction, or a few token objectives, wouldn’t have done any harm. At times you can feel like a direction-less delivery boy sent to hell to perpetual deliver goods, at any time able to stop – but never stopping. The fear is that eventually I’ll realise I’ve been trading for 10 or 20 hours and only got a slightly better ship than the one I started in. And that I’ll spend hours more in that ship trying to get the next ship. Problem is I always want the next ship.

Then you flick around the responsive sci-fi UI that appears when you’re docked and check stock prices before loading up your ship. Closing it down you bring up the galaxy map and plot a course to your destination system. Your ship rotates and elevates up to the launch pad and after a satisfying voice confirmation you’re free to smoothly leave the station, taking care to avoid other ships. Once back into the deep black you carefully line your ship up before engaging the oh so satisfying countdown that is the hyperdrive. Upon exiting hyperdrive you urgently pull away from that system’s star and find the station you want to dock with. Once you approach you request landing permission and make your way to your allocated docking bay, ensuring not to violate any infractions like loitering in busy areas. Your ship is swallowed into the depths of the station and your trip is complete.

It’s a simple trip from A to B back to A again but there’s always something to do. Or at least something to stare at. The knowledge that there is just so much out there to see gives a sensation of scale and isolation that I’ve never felt before. There are dangers even during these basic trading runs. Assuming you don’t get pulled out of faster than light travel to be raided by a pirate, maybe you get caught in the gravity of a star. On one occasion I got too close to a white dwarf and my systems overheated forcibly disengaging my hyperdrive. Suddenly I was sat there staring at a seemingly infinite space travelling at speeds relatively so slow I might as well be stationary. I had to divert all my power to my systems and engage my frame shift drive as quickly as possible to escape the star; although it looked so amazing I was happy to just sit and stare. There’s a vast and intimidating emptiness to Elite: Dangerous that makes the galaxy really feel like a galaxy. It’s a shame you can’t get out at stations and walk around but I guess we’ll just have to wait for another certain space sim for that kind of depth.

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Aside from the scale and uncanny good looks the ships themselves are another reason to keep you coming back. The light, agile fighters and multirole craft feel responsive and elegant. The larger ships and haulers feel heavy and wide, and clearly don’t perform so well in combat. Each ship has clearly had care and attention paid to it which allows the flight mechanics and combat to feel natural. It took me very little time to start flying accurately and the map in the HUD is a joy to use – not an easy thing to get right in 3 dimensions. Arming and firing weapons along with diverting power is another one of those fantastic manual tasks that Elite makes fun. Diverting all power to engines before accelerating and out turning your enemy then shifting power to your weapons before attacking is endlessly entertaining.

Unfortunately the combat can often become a series of head-on attacks, as is so often the case in space simulators. It’s a shame not to have the feeling of proper dogfights even though they’re perhaps not all that realistic for a space sim. But still the combat in Elite feels right especially given the power balancing ‘mini-game’ which lets you really feel like a captain; and every self-respecting sci-fi fan wants that. You can even give voice commands to your ship using a microphone with the right equipment and software.

And there’s good money to be earned in combat completing bounties or hunting down pirates is a good way to make cash. If you’ve got the skill, and the ship to pull it off, it can be much more lucrative than trading. It’s likely you’ll want to do some trading first to get a comfortable cash flow but hunting down pirates is fun. Or even becoming one.

The many modules that you can equip to customize any of your ships allow you to switch easily from trader to mercenary to pirate. Traders might want to go all out for cargo space while mercs will want a warrant scanner to identify targets. Pirates will likely want a cargo scanner to identify valuable ships and an interception module to drag ships out of faster than light travel so they can attack. Obviously it’s not a good idea to take the space equivalent of an articulated truck up against the space equivalent of an F-16 so ship choice plays a big part in deciding your role too.

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Elite: Dangerous is nothing short of spectacular. It’s grand in design and beautiful in execution. Sitting in your cockpit going about the daily grind is uniquely, and superbly entertaining. Exiting hyperspace in the orbit of an enormous, intimidating star looks incredible. Elite: Dangerous doesn’t look to change all that much but instead it makes sure it gets the important things right. The galaxy feels just barren enough to get a sense of scale with enough awesome space stations, stars and other players that it never feels completely empty.

At times the grind can seem endless, and even a little pointless, but Elite: Dangerous cleverly makes things interesting by making what should be boring anything but. With ongoing updates Elite: Dangerous will be amazing. There’s already a good amount of content and a decent community but more ships would be desirable, especially for the mid game. There’s nothing but huge jumps between ships rather than a gradual progression up and there’s rarely much of a choice to be made. It can be a pretty linear path. It’ll definitely be interesting to see what happens in future updates but even as it is Elite: Dangerous is a great space sim with tons of content and an amazing galaxy to explore. But it’s lack of help for new players and intimidating grind will turn plenty of people away from this game.

I’ve said it many times before and I’ve no doubt this won’t be the last time I say it but yearly updates often bore me. Especially when it comes to writing reviews. It gives me no pleasure to write what is essentially the same review each year, carefully treading through the minefield that is my own previously used words. But on occasion yearly updated titles can become a perfected reduction based on the experience of previous titles.

But somehow this seems to be something WWE avoids. Each new title seems able to completely forget the experiences of titles that came before along with the lessons that should have been learned. There’s fun to be had from this genre and in particular from WWE games. I remember having fun, I’m almost sure of it. But recently WWE seems to be trending downwards. So lets get stuck into the low quality cheesy heavy metal (and I say that as a metal fan) and look beyond the sweaty spandex and get stuck into the gameplay.

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Look ma! I can fly!

A few fundamentals have been altered to try and make things less ridiculous looking. We’ve all done it, standing around performing animations that make no sense given the current context. Even the Batman: Arkham titles occasionally see Bruce Wayne jumping on the spot like a petulant toddler.The solution to this in WWE 2K15 is to basically remove any connection you have with the wrestlers and instead implement a strange fixed animation play style. And it works in the sense that you no longer spend any time thinking how stupid it looks when you miss but also removes a fair amount of fun too.

Having played the series for so long this really seems like one of the worst moves they could have made. It’s all well and good having things look shiny and slick but that has to be second to the gameplay. Especially so with a yearly updated title that has done so much right in the past. I’m not even a WWE fan but back when WWE games were in their prime I played them extensively. It was never particularly smooth and wrestlers would run around regularly clawing at nothing. The focus of 2K15 seems firmly set on looks and style over substance.

But never fear! Just when you thought things wouldn’t look ridiculous enter the latest stamina system. Probably the stupidest system ever. The benefits are that spamming slaps will no longer knock Brock Lesnar out. The downside is that after a couple of minutes the wrestlers will potentially be hilariously dragging their feet around the mat and climbing the ropes as if everything was in slow motion. All that previous effort attempting to stop players from standing still hitting the air is completely wasted. This looks far worse. It can only be described as comical.

In terms of the gameplay all it does is slow things down and, beyond stopping the spamming of smaller attacks, really doesn’t add much. You might think that it makes you take careful consideration of what moves to do and when to do them but in reality it just punishes the loser. The less stamina you have the slower you are and the more likely you are to get kicked repeatedly in the face. It’s not the effect on the gameplay so much as the mockery that is the fatigued movement that makes me hate the stamina system.

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I knew it! Feather Boas ARE the manliest thing ever.

Which leads nicely onto what is undoubtedly 2K15’s biggest and most blatant offense. Its lack of features. It’s not like there isn’t enough to do but features that are present on previous WWE games just simply aren’t here. My Career still makes an appearance but basically plays out like a series of lifeless, and more importantly, directionless matches to grind out stats. The story of your superstar isn’t intuitive and barely even feels interactive as you play match after match. But still My Career is probably the go to mode.

Taking a look elsewhere WWE fans will notice the absence of certain game modes. Not being a huge WWE fan these were less obvious to me apart from noticing their absence from previous titles. It’s reasonable to say the missing modes aren’t the most popular but why not include them? Lack of hard drive space? Could the PS4 and Xbox One not handle it? That doesn’t seem likely. It’s just simple laziness. The roster feels lack lustre too and it doesn’t take long for a WWE game veteran or a wrestling fan to notice some further omissions.

One place WWE 2K15 can excel is with visuals. The wrestlers that have been rendered just for the current gen hardware look amazing. Faces are detailed and have amazing likenesses to their real life counterparts. But there’s also a lot of the game that is noticeably ‘last gen’ with assets taken straight from the PS3/Xbox 360 version – even though they are now in 1080p @ 60 FPS. Overall it’s fair to say that 2K15 looks great but when the updated assets come out it’s unavoidably obvious.

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Brock smash.

So WWE 2K15 is another in a long line of disappointing instalments to the franchise. The attention to detail in the current gen faces is incredible but far too much is just reused from the last gen version. The stamina system makes matches grind to a pathetic crawling pace that is nothing but a joke. Features and wrestlers alike are not present from previous instalments which stings a little and just comes across as lazy design. There’s no reason not to have every game mode imaginable in the game. To be honest there would be no harm including a few that aren’t real just for the video games.

My Career is mediocre but provides a reasonable distraction, even though it’s basically just one match after another. WWE 2K15 is an offensive entry to an already stale series of games. The current gen version particularly fails for not making enough use of the hardware. Don’t reuse assets, it’s always obvious and it’s always ugly. This is definitely one to miss.

It makes it clear from the very beginning that Temple of Osiris has no intention of becoming part of new-Lara’s world. Lara is sporting her classic blue tank top, that’s infamously and fashionably a couple of sizes too small. The interaction between the four available characters makes it even more obvious that there isn’t likely to be darkness and intrigue around the corner in Temple of Osiris. So with visions of the new, gritty, Lara aside you can just let yourself work through the game raiding its various tombs and temples.

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You can play as Lara, her friend Carter, Isis or Horus. Depending on how many people are in your team, and what combination of abilities you have available, the way you complete a level will change and the levels themselves even change. The Temple of Osiris is well designed so that you don’t need to play as certain characters or teams just to get through it although there are the usual advantages of playing co-op. Somehow when you play solo it just doesn’t feel right especially considering all the goodies that become out of reach.

Each character has four weapon slots, two rings, an amulet and a costume to equip. There are plenty of rings and amulets to collect and each one makes a noticeable difference to your character. You might have an increased bomb radius at the expense of defence or an increased fire rate at the expense of bomb radius; for example. It becomes a balancing act of trying to find an accessory that has a negative effect on something you’re willing to sacrifice but improves something you want. There are so many combinations that you rarely stop swapping things out and upgrading. There’s a moment were the idea of grinding out temples and earning gems with your co-op partner to earn all those lovely prizes seems like you’ll be playing forever.

There’s a methodical, if not completely unimaginative, design to Temple of Osiris that means you’ll need to raid various tombs and find all the pieces of Osiris, his hand or a foot for example, until you can put him together again. Hopefully then he can take the curse away. It’s not clever or original but for Temple of Osiris it gets the job done. For each ‘main’ temple you’ll often find a puzzle temple which offers up rewards like new guns and a bunch of gems which is more than enough incentive to find them and complete them. But they’re pretty easy and often you’ll spend little to no time figuring out the challenges in them.

For example you might need to blow up a wall using the Ancient Egyptian Big Round Bomb Dispenser™ and a labyrinth of man made streams to divert it to the right place. There’s some nice teamwork involved but (apart from the time it didn’t work) we rarely spent long in the puzzle tombs. It would have been nice to have a decent challenge or at least something mentally taxing but they still provide a reasonable distraction.

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Better yet would be some variation other than rolling around balls that either explode or function as keys that fit into cylindrical slots. I can only assume it’s a link to Egyptian myth but it’s difficult not to feel like your rolling around balls of dung for a living at some points. The core mechanics of Temple of Osiris are solid, relying on puling leavers moving objects into place and standing on platforms among other things. There is a solid base on which Temple of Osiris is founded but its uncomplicated and relatively simple puzzling can be a let down. The absence of a script to translate, or something that justifies some extra secrets to find is also surprising. One secret collectable in each area would have added some welcome intrigue and mystery.

Action is well spaced out between exploring the tombs. There is a multiplier system which doesn’t get in the way but gives you a nice reason not to repeatedly get hit and/or die. Once you’ve unlocked a few weapons you’ll undoubtedly find ‘the gun for you’. Every weapon but the character’s default will use a blue bar representing ammo that can be replenished from enemy drops or fixed pickups. After a short time I stopped using the default weapon religiously and started making real use of the ammo consumers. There’s something strangely satisfying about being an Egyptian god running around with dual MP5s.

Unfortunately I there’s a stiffness to the combat that stopped it from becoming a glorious ballet of left and right thumbsticks. It never hindered the gameplay as such but the combat just didn’t feel as fluid as it could have done. I never felt as connected with my characters movement in a way that something like Dead Nation allows, walking forward flicking the light on your gun from left to right like a member of SWAT. But the controls are responsive enough that you can get your character to do what you want and I never felt let down by a lack of responsiveness.

There are quite a few moments when the combat becomes a tedious engagement of enemies that run at you, usually on fire, as you work in tandem with a friend to take down another enemy with a shield, all the time avoiding the environmental traps. I didn’t feel I had the mobility I wanted when dealing with those combat scenarios. Sometimes it isn’t a problem, other times you lose your combo and die which is just plain irritating.

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The Temple of Osiris does exactly what you’d expect. It’s too short and more often than not too easy with combat that is nothing more than a bit of fun. But somehow it kept me coming back, if only for a little while. There’s a decent loot system that allows you to feel like your character is developing as you raid your way through all the Tombs you can. For a PSN title The Temple of Osiris is exactly what you expect and is a great bit of fun for an easy distraction filled with puzzles. In the couch co-op arena there are few better than Temple of Osiris.

If there’s one thing Telltale Games like to do, it’s telling a good tale. They’ve got the experience from games based on The Walking Dead and The Wolf Amongst Us, so let’s see what happens when they’re given free reign of one of HBO’s most popular shows, Game of Thrones.

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Thankfully, QTE filled action scenes are kept to a minimum

If you’ve never had experience with a Telltale Game of this type, the premise usually revolves around a more advanced, refined and interactive point and click adventure, with the main focuses being on the narrative and how you can affect it due to player made choices. Giving the player difficult decisions that drastically alter the progression of the game is a feature much touted by other games, but here, they feel significantly more substantial.

Due to the game adopting an episodic approach; obviously aping the show it’s based upon, you’ll be jumping between individuals several times over the course of the chapter. Focusing on a new set of characters that are tied to House Forrester, Iron From Ice takes place towards the end of the third season and focuses on their relationship to House Stark. Whilst you begin as Gared Tuttle, a simple squire to Lord Forrester, things quickly take a predictable turn after a spot of encouraging promotional news; it’s not long before you start making a few important decisions to set off the end of the prologue.

Once the familiar theme and corresponding set of opening credits are over, the game opens up in typical Game of Thrones fashion, namely reams of conversation. Those who’ve enjoyed the previous games’ ability to explore around may be a little disappointed, but the majority of the conversational options often more than make up for that. Alongside the new set of characters with their surprising amount of depth, you’ll also run into a couple of the more infamous characters from the show, the ever stimulating Tyrion Lannister and the (ice) Queen Cersei. Both have a reasonable amount of dialogue and represent themselves suitably well, especially in the interactive scenes that involve them.

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Everyone’s favourite Lannister

Alongside the quantities of conversation you’ll participate in, there are also a few smaller sections, much akin to the notorious quick time events of old. Thankfully these are few and far between and only really occur when necessary at the more action packed beginning of the game. As ever in a Telltale game, choices, and their immediate subsequent consequences are rife. You’re never going to be able to please everyone in a situation; plus the added time limit to prepare a response injects a panicky, ‘on the spot’ feeling to proceedings. A helpful indicator, especially at the start when you’re not entirely sure what each person wishes to hear, is presented in the upper corner of the screen notifying you on when you’ve made a significant decision. By the time you’ve completed just this first chapter alone, you’ll have dramatically altered people’s perception of you; making the mind boggle at the potential extent of all those seemingly minor choices stacking up and coming back to haunt you.

Whilst some of the narratives’ segments can seem a little slow or relatively less interesting than others, it’s safe to say, that they’re linked exquisitely to one another as the story progresses. Introducing each character takes just the right amount of time to become invested in their plight and you never seem to linger for too long in any scenario. It’s honestly as well paced as the source material, complete with tense, spiralling situations of which the show’s famous for.

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These two won’t be your friends…

Presentation wise, it will be nothing unexpected if you’re partial to the developer’s latest releases, which is not to say it’s unremarkable. Far from it in fact, Iron From Ice looks great with its stylised visuals. Action oriented scenes seem to lose a little magic but they’re rare and it doesn’t detract from the experience. The voice work is strong, as is also the script, but I suppose that’s to be expected of a franchise of this degree, still it’s nice to hear good voice acting and official music being used throughout.

As ever, so long as you’re vested into the source material, playing a Telltale game dedicated to it will often greatly appeal to you. There’s a potential worry surrounding the franchises staleness and a lack of moving forward with the mechanics and originality, but so long as they keep delivering great interactive stories based on established series, then fans will likely follow suit. It could be interesting to see a game set in their own universe, but it might require a considerable amount more effort; as for now, we’ll have to settle with the frustrating wait for the next ‘episode’ in the series.

If ‘old school’ point and click adventures are your bag, and you’ve either played or watched anything in the past 10-20 years, then Randal’s Monday may well be for you. Brought to us by Daedalic Entertainment and Nexus Game Studios, Randal’s Monday focuses on pop culture references, stabs at humour and the eternal plight of Mondays. Garfield would be proud.

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Starting out easy with a select few interactive items

First things first, Randal’s a bit of a dick, he’s a titular sociopathic kleptomaniac who’s more interested in someone getting the drinks in, than supporting his friends’ upcoming marriage. After the tutorial, consisting of the game letting you wander about in a small area and talking nonsense to your mates for a bit, the story begins to unfold. And, as how every good Monday unfurls, there’s an angry landlord demanding rent at your door.

After spending some time meandering about the flat, marvelling at each and every reference up to, and including Resident Evil herbs, you’ll inevitably acquire classically unfathomable items to combine and use in traditionally ‘unique’ scenarios. Picking out what you can select and what’s just a not so subtle nod to another franchise can be initially tricky, thankfully there’s a key assigned to highlight all the potentially interactive items on screen. After missing a vital component in one of the first areas and being forced to backtrack through each and every stage in true scavenging mode, this soon becomes second nature. As ever, for those who are beyond stuck and have already ripped their hair out, there’s a hint system in place to relieve the woes. With its typical, tongue in cheek style, the game will recommend you to reconsider using the system until such a point where you’re that stuck, you’d quite happily sacrifice a kitten in order to progress. A fact the game repeatedly reminds you of before allowing you to proceed.

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Look at the signpost! Look at it!! Please?

Utilising typical ‘point and click logic’ may be the joy of the game in some people’s eyes, whereas instead, it can and most likely will be, the bane for others. Incongruent puzzles require solutions that are simply not intuitive to the naked eye; no matter how well you half-solve the puzzle, finding the specific way in which the game wants you to progress can be an inevitable head shaking trauma.

On paper the game sounds fantastic, a typical point and click adventure with brilliantly cartoon-esque graphics, a swathe of pop culture references, and a smattering dab of humour. Combine this with the fairly interesting plot, even if it is all too reminiscent of Bill Murray’s Groundhog Day, and you should be onto a winner. With each subsequent ‘reset’ giving the developers opportunity to create new and interesting passes, it feels a little like a waste of potential at times. Instead of testing your cerebral lump, it instead feels quite content with setting up ridiculous and ‘wacky’ scenarios; all the while Randal throws cringe worthy insults at everyone he comes across. To say he’s crass and just plain unlikeable would honestly be a compliment.

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You’ll be seeing this expression a lot throughout the game

The general artistic flair is pleasing, and will resonate with those who enjoy familiar stylised cartoons. Voice acting is also above par, with recognisable cameos that not only aren’t embarrassing, but are in fact welcome after so much of Randal’s script. The time to work your way through Randal’s Monday will be high; sinking in up to 20 hours is highly feasible. Potentially higher if you can manage not to succumb to the step by step walkthrough offered by the hint system, which of course will be fairly unlikely given the logic behind some of the puzzles.

By all extensive purposes, this isn’t one of Daedalic’s best projects; Randal’s Monday will just be a small blip on their incredibly stellar record. If you can get past Randal’s character and don’t mind the incessant illogical puzzles then, as ever, you can get a lot of fun out it. The production values alone are worth checking out and if you’re into pop culture references, you’ll have a field day reading signposts, shop names and subway stations. Basically every (non)interactive item on the game is a nod to another game; leading you to think that perhaps they could’ve spent more time making this one something to reference instead?

Just when you started saying “you call that a grind Bungie?!”. I’ve got everything I need and I’ve done all the raids and I’m totally bored with Destiny. Well if that describes you you’re in luck. The Dark Below is the first DLC for Destiny and adds quite a few new features that will, in theory, keep you coming back for more. Even if that’s primarily because all your loot is now worthless. But I’m getting ahead of myself.

The first notable feature is the new Sparrow. I know you’ve all been screaming out for it. A Sparrow that allows you to perform wicked flips. Now when you perform a jump you can roll the sparrow before it lands. It also sports a lovely flame decal that really makes it look like something aimed at kids. I really find the entire thing just so tacky. I haven’t spent as long with my guardian as some but I’ve still invested many, many hours into him and making him look cool. Guardians are serious people who mean business. They’re supposed to be defending against the darkness. A slick black and orange Sparrow with armour plating or a ram or something would fit better. Either way you get a free legendary Sparrow with some nice stats and some useless abilities. Glad I didn’t buy one from the quartermaster.

You also get some nice new crucible maps to keep murdering other guardians entertaining too. And they’re well made and fun. Two of them are brutally tight and really allow matches to become what Destiny does best with abilities being flung around and guardians jumping, blinking and floating everywhere. The other map is a horrible long range map with vehicles all over the place. Being repeatedly shot in the head without a contest is no fun and I personally hate PvP vehicle battles in Destiny. If you like sniping or using vehicles then it’s a great map.

There’s a new vanguard strike too for your PvE craving. Most of my time in Destiny is spent in strike missions with players found in matchmaking. There isn’t really much new or different with the latest strike but it feels every bit as well made and fully featured as the original strikes. It’s particularly useful given all the extra vanguard marks and reputation I’m going to need to at least have one fresh mission to keep things a little more interesting. It’s well designed and just as fun to play as the other strikes.

But a much more significant addition is the raise in the level cap for your light level. You can now make it beyond the old level cap of 30 all the way up to 32. But to do so you’re going to have to get stuck into The Dark Below’s new raid. You’re then going to have to play it extensively to get the items you want because as usual all the best gear is handed out primarily according to luck. And there’s an extra layer of difficulty if you want to reach the lofty heights of level 32. All that gear you finally got from grinding the raid over and over will need levelling up before you get all that lovely light. But you can forget about using those ascendant shards and energies you’ve found. You’ll need ‘radiant’ materials that can only be found in the raid.

So that’s all well and good for the hardcore among us but what about those who don’t have a dedicated raid team waiting for hour after hour of high level Destiny action? Well actually there’s loads for you. I’ve spent a lot of time on Destiny but I still prefer matchmaking. I don’t have a huge amount of online friends and certainly not enough to effectively organize a raid. So I’ve been content with vanguard strikes to get my fill of Destiny.

Well your local neighbourhood vanguard merchant has just what you need. They just so happen to have a new set of armour available that, when upgraded, will get you to level 31. Sure you’ll have to wait for the irritating weekly limit on vanguard, or crucible, marks but other than that you can guarantee your way to 31 and use your ‘standard’ ascendant materials to upgrade them. It’s not about an enormous grind anymore so much as it’s about re-grinding and doing the same things to get very slightly better equipment.

Everything about the latest update to Destiny make me feel like I’ve been wasting my time. Raising the level is one thing but replacing the items that I bought for items that are just plain better for the same cost is punishing me for owning the game earlier than some players. All the ascendant shards I’ve used on armour are now almost completely worthless as I’ll need to replace my armour. So a new player, that hasn’t bought a season pass (you can get to level 31 without owning The Dark Below), can easily be a higher level than someone who played Destiny for days on end and just hasn’t played for a week or two. That seems a little backwards to me.

Everything about Destiny’s latest update devalues everything that you previously earned. It opens up options for more grinding and gives me a good excuse to play some more Destiny, which is never a bad thing, but there really isn’t much value in The Dark Below. The bike is a cheesy gimmick at best and since I’m not ever likely to be able to complete a raid The Dark Below only offers me a few campaign missions that while not bad, don’t make me feel like I got a good deal and some crucible maps.

As with a lot of Destiny Content the raid players get exclusive access to content and everyone else gets nothing. It’s one thing to keep rewards for the hardcore but to exclude others is just unfair. So I get punished for not having enough friends interested in raids. But somehow Destiny manages to make raid players feel robbed at the same time by providing ‘nearly as good stuff’ easily at vendors; and even worse they’re available without paying. This expansion does nothing but alienate and punish those who are dedicated. If you haven’t got much loot and don’t pay for the DLC you’re in the winners group. Everyone else seems to lose in some way.

Telltale Games have released Episode 1 of Tales of the Borderlands, and here is our spoiler free review.

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This is how Telltale describes the game:

Like all good tales, there’s more than one side to a story. Especially one about a Vault key, the Hyperion Corporation, bandits, loot, gangsters, Vault Hunters, secret Atlas tech, explosions, getaways, extortion, betrayal, and mayhem.

Set after the events seen in Borderlands 2, Tales from the Borderlands is about Rhys, a Hyperion company man looking to become the next Handsome Jack, and it’s also about Fiona, a Pandoran con artist out to score the biggest of all swindles.

Lured into danger by a Vault key and all it promises, the unlikely duo are thrown together with a common goal and a huge amount of mistrust. Who is telling the truth, and why is it important?

That’s up to you to decide.

You are Rhys…and you are also Fiona, because like every tale worth telling, there are two…oh, you read that part already? Well, it’s important to remember that there *are* two sides to every story, and you my friend, you will tell this tale, or…tales, through the choices that you make. Your every decision as both Rhys and Fiona will affect the people and world around you: this is a game where YOU are the final author in a brand new Borderlands story set on the unforgiving world of Pandora.

Now I’m both a fan of Telltales other games, in particular The Walking Dead, and also of the Borderlands series from 2K Games and Gearbox, so when I heard about Tales of the Borderlands I couldn’t wait to play it.

Like the description says, you play two different characters – the first one is Rhys, voiced by Troy Baker (I’m not sure when he gets the time to do anything other than record voices for games, but he is very good at it and so its always a pleasure to listen to). As this is a spoiler free review I wont go into too many details about the plot, other than to say that Rhys was due a big promotion at Hyperion and he gets screwed out of it by his arch-nemesis, so he decides to screw him back.

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The second character is Fiona, voiced by Laura Bailey. Fiona is a grifter and part way through the episode you switch to playing her. Fiona and Rhys’s story is interwoven and it’s fun to watch them play off each other, but again, I don’t want to give too much away.

The gameplay style is what you would expect from Telltale – you have a number of options to choose from in different situations, and your selections will result in the story changing around you. There are also sections where you have to dodge attacks, and even target enemies (which is a whole heap of fun).

The first thing I noticed when the game started was just how much it felt like a Borderlands game. Now that might sound obvious, but I wasn’t sure if this would be a Telltale game with a Borderlands theme, or a Borderlands game with a Telltale interface. It’s actually the best of both worlds, with a typically insane and funny Borderlands story with all the gameplay you would expect from Telltale. I found the gameplay very smooth and the selections easy to choose, even easier than previous Telltale games.

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The graphics are typical Borderlands and I loved the humour. The voices are done really well, and along with Troy and Laura, Nolan North also makes an appearance, as does Dameon Clarke (spoiler – sort of!).

The first episode took about 2 and quarter hours to complete, and I am really looking forward to episode 2 in a few weeks time.

The cost of this episode is just $4.99 USD or equivalent or as part of a Season Pass package for all five episodes for just $24.99 USD or equivalent or less.

If you are a fan of either Telltale’s games or Borderlands, then this is a must for you. Now I just have to wait patiently for episode 2.

If you want to watch the first 30 minutes of episode 1, you can do so here.

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